The principle of relative constancy in metamorphoses by Nezumi aka. Poland's Maciej Miszczyk, is the first signed release by fledgling net-label Tribal Dancing Kid, and the label's owner Angus Maiden has this to say of the album:

"The true meaning of ambient is not “elevator music”, which unfortunately it has come to mean, and even more unfortunately is what a lot of its purveyors continue to flavour their music as. The dictionary definition, from dictionary.com, is:

ambient

[am-bee-uh nt]

–adjective

1. of the surrounding area or environment.
2. completely surrounding; encompassing.

This music envelopes you. If you close your eyes it takes you to another place, a place fabricated from the tonality and texture of the pieces, that are “of the surrounding area or environment”. Yet it is a surreal environment, a place that doesn’t exist in the “normal world”. This is true ambience, yet there are no chirping birds or wind through bamboo to be found here. The music takes your hand, quite gently at first, and leads you to a door to another plane. If you resist it grabs you more firmly and pushes you through.

Haunting, disquieting, the ghost-like atmosphere of this compelling album is made up from a variety of only vaguely familiar sounds, like the dropping of water in a deep cavern, yet not quite. Like two discordant notes played on a sitar, yet not quite. And the whole time, there is an emptiness that conveys vast reaches of uninhabited space. Merely the Universal Hum of something born of chaos. With swirling dynamics and disparate textures this powerful album comes at you from all sides. It is often quite scary, feeling as if everything is closing in on you, yet that is part of its magick.

Nezumi is a lover of the metaphysical, the mystical and the unknown. His attempt at creating soundscapes that depict the multitude of parallel universes and dimensions, so far away from normality yet always deep within our souls, is realised quite incredibly on his latest album.

When I first listened to a release of Nezumi's in late ’07, it sounded like a kid toying with midi for the first time. Although I could tell there was so much he wanted to convey, the instrumentality was primitive and thus did not do his imagery justice. A few years and releases later, I’m amazed at how he has progressed as an artist.

This music is truly the definition of ambient, “completely surrounding; encompassing”. And of course, I wouldn’t be raving about it so much if it weren’t my favourite sort of music: Dark. Very, very Dark.

The Ambience has spoken, and it demands you take a trip through another dimension..."

We hope you enjoy this release that has been patiently sitting around, dying to be heard by the world.